Review of Evergreen Review Winter 2011

The history of Evergreen Review is an important part of the experience of reading the journal, but could be easily missed if you happened upon the website without knowing anything about it. Click on the ‘History’ link at the top of any page, and what is revealed is impressive and significant, to say the least. It was founded by the legendary Barney Rosset in 1957, and the first issue contained work by Jean-Paul Sartre and Samuel Beckett. The second issue was the first collection of work by the Beat writers, such as Allen Ginsberg, Jack Kerouac, and Gary Snyder. Rosset had also bought Grove Press in 1951 when he was twenty-eight, and went on to publish the work of numerous writers such as Beckett, Ionesco, Pinter, Duras and Borges, as well as William Burroughs’ Naked Lunch, D H Lawrence’s Lady Chatterley’s Lover, and Henry Miller’s Tropic of Cancer, for which he fought, and won, legal challenges against obscenity.

Continued at The Review Review.

Review of All About Love by Lisa Appignanesi

Lisa Appignanesi has written ten novels, several books of non-fiction (including Freud’s Women and Mad, Bad and Sad: A History of Women and the Mind Doctors from 1800 to the Present), and is general editor of the Small Books on Big Ideas series of Profile Books. She was one of the founding members of the Writers and Readers publishing cooperative, and is currently Chair of the Board of the Freud Museum. One of her many interests is memory, and she has written a novel and a memoir based on her research and involvement with the Brain and Behaviour Laboratory at the Open University. She is also the president of English PEN.


This distillation of her biography (see her official website) shows a woman interested in the human mind, behaviour, and expression. Her latest book, All About Love: Anatomy of an unruly emotion, allows her to expand on all of these subjects. She really engages in a conversation with her readers, discussing Freud’s ideas and referring to philosophers and writers through the centuries. Numerous works of literature are analysed, from Ian McEwan to Proust to Tolstoy. It is an entertaining as well as an informative book.


Continue reading at M/C Reviews 'words'.

Review of Understanding Troubled Minds by Sidney Bloch

The first edition of Understanding Troubled Minds: A guide to mental illness and its treatments came out in 1997, and was written by psychiatrists Sidney Bloch and Bruce Singh. They had just finished a textbook of psychiatry for medical students and realised that a version for the general public was needed. They wanted to provide a ‘clear, well-informed , objective assessment of the nature of mental illness and its treatment’ (viii) and Bloch, in this thoroughly updated second edition, has maintained and continued that goal.


Perhaps every household should have a copy of this book. The stigma of ‘madness’ is persistent, with news reports of disturbed people attacking members of the public doing little to alter fearful attitudes. The book methodically and clearly describes the variety of mental illness experience, how conditions are diagnosed and treated, and what drugs and psychotherapies are generally used. Bloch writes well, and includes many examples of literary references to mental illness, as well as case studies and personal experiences by public figures. This makes it an approachable reference book without jargon.


Continue reading at M/C Reviews 'words'.

Review of Comedy in a Minor Key by Hans Keilson

Hans Keilson was a Jew born in Germany who, in the mid-1930s, went into exile in the Netherlands with his wife, and was active in the Dutch resistance. He was a psychiatrist as well as a writer, and died at the age of 101 in May this year.

Comedy in a Minor Key was originally published in 1947. There are two other novels, Life Goes On (1933) and The Death of the Adversary (1959, republished 2010), plus an important clinical study on trauma in children.

Comedy in a Minor Key is a slim novel, barely one hundred pages in length. On the cover of this new Scribe edition is a park bench, the significance of which becomes clear late in the text. The story involves Wim and Marie in the Netherlands during wartime, a couple who hide a Jewish perfume salesman, who they know as Nico. He stays with them for almost a year before developing an infection that worsens into pneumonia, and kills him. This we learn in the first two pages. Since they have been hiding him, he doesn’t really ‘exist’, but now they have to do something with his ‘non-existent’ body.

Continued at Transnational Literature.

Review of Southerly: India India

To describe this issue of Southerly as a cornucopia of literary riches is an understatement. In his editorial, David Brooks describes it as a ‘show bag’ in the quintessential Australian sense, as he thought this was fairer than attempting to be representative in such a large field as Indian/Australian literary relations.

However, not all the contents are related to the theme of India and David Brooks comments in his editorial that the theme does not consume the entire issue, and that this is usual for the journal. I also think it helps to vary the content, and maintain the reader’s interest, by interspersing non-themed pieces through the journal. Like mixing the poems, stories and essays instead of having them grouped together, it works well.

There are eighteen poets represented, eight short stories and eight essays, plus more in the wonderfully named Long Paddock (http://southerlyjournal.com.au/long-paddock/70-3-india/) the online only section of the journal on the new website. All the reviews for this issue are also placed online due to space restrictions.

The theme was chosen because of the intense interest Indians have in Australian literature, an interest which unfortunately doesn’t seem to be reciprocated to the same degree in Australia for Indian literature (a point noted by Paul Sharrad in his essay, discussed later). Which makes this issue all the more important for continuing and extending that literary conversation between us, and making more readers aware of its richness and diversity.

I read the issue in the order in which the editors presented the works, beginning and ending with poems: Judith Beveridge’s dignified ‘The Deal’ and ‘Little’ from Devadatta’s Poems, through to Ali Alizadeh’s political and angry ‘Election Announced’ and ‘The Bubble’. On the Contents pages, however, everything is arranged according to category, including the ‘Long Paddock’. There is a pleasing balance in the distribution of poetry, stories and essays, exercising and stimulating the mind as it changes gear from one form to another. The poems and stories are particularly strong in this issue, and the essays have an eclectic selection of subjects: Aboriginal and Dalit women’s subjectivity; Mary Louisa Skinner, neglected Australian author; Aboriginal theatre; bogans; immigrant identity in a Hazel Edwards’ novel; and others. It’s of course impossible to address every piece in this review, so I shall focus on a select few that I feel particularly noteworthy.

Continued at TEXT.

Review of The Long Goodbye by Meghan O'Rourke

Meghan O'Rourke's mother died of metastatic colorectal cancer on Christmas day in 2008. She was fifty-five years old.

She had been diagnosed in May 2006, just as she and her husband were moving to Westport to take up new positions in a private school: she as headmaster, he running the language program.

Meghan O'Rourke is a poet and writer of criticism and essays. Her memoir of the dying and death of her mother is challenging and painful. She is frank about the effects on herself, and her concerns about no longer being mothered, but she recognizes her own self-centeredness as well.

Continued at Metapsychology Online Reviews.

Review of The Pen and the Stethoscope edited by Leah Kaminsky

Leah Kaminsky writes in her Introduction that ‘Every patient has a story to tell, if only you take the time to listen’ (xi). Not all of the pieces selected for The Pen and the Stethoscope reflect this directly, but most are good examples of showing what it means to be a doctor, and care for the sick.



There are three non-fiction pieces that are outstanding for the quality of the writing, the insight and the sensitivity with which their truths are revealed. Danielle Ofri in ‘Intensive Care’ tells us the story of her time with Dr Sitkin, an intensive care specialist who was loud and irreverent. He made jokes about patients, was intimdiating to other staff and to the interns, and went from bed to bed in the ward round saying ‘Dead. Dead. Dead’ because those patients were very sick—metastatic cancer, multiple amputations, multiple organ failure—and dying slowly but no one wanted to own up to it. He explained:

I have nothing against dying—it’s a noble process—but it should be done at home or in a regular medical bed. Not in the ICU. This is the place to give intensive care when there is a possibility of meaningful recovery. We’re not a hospice here. (63)

Continued at M/C Reviews 'words'.