National Novel Writing Month is about to start. I did participate in this one year, and did get over 50 000 words written, much to my utter surprise. That draft novel sits somewhere on my computer, and somewhere in print form, along with a lot of other stories that never again see daylight. However, it was a good 'practice' novel draft, and writing it so quickly helped me see how difficult it is to develop characters and plot in a meaningful and interesting way. I don't really think I have a (publishable) novel in me, but it was a worthwhile exercise.
I don't want to do it this year, because I actually want to write a 10 000 word essay instead. NaEssWriMo?
Saturday, 30 October 2010
Wednesday, 27 October 2010
Review of Myths About Suicide by Thomas Joiner
He divides his book into three main sections after an introduction: 'The Suicidal Mind', 'Suicidal Behavior', and 'Causes, Consequences, and Subpopulations'. There are eighteen myths he deals with throughout these chapters, with discussions of other misunderstood issues included (for example, 'slow suicide', genetics, hospitalization).
As in his first book, he emphasizes the factors that must be present for a person to consider suicide. These are perceived burdensomeness (so the person believes they would benefit others more by being dead than alive), sense of low belongingness (alienation from their community), and loss of the fear of pain and death (such as by habituation to pain, hard circumstances and dangerous situations). He applies these factors to examples of cases, making them clear and understandable.
Review continued at Metapsychology Online Reviews.
Sunday, 24 October 2010
Review of Becoming A Doctor edited by Lee Gutkind
Review continued at Metapsychology Online Reviews.
Saturday, 11 September 2010
The Art and the imagination:Explorations in Creative Writing by Kevin Brophy
Explorations is divided into three main sections: Reading Writing, Making Writing and Talking Writing. Brophy explores Kafka's 'Metamorphosis', the prose poem, gender issues, sentence-thinking, the novelisation of the poem. He gives us samples of his own short stories and poems, as well as those of others, including an excerpt of the strange but moving 'Sheep-Child' of James Dickey.
In my ignorance of this poet and this poem in particular, I sought out the complete verse, and listened to a recording of Dickey reading it. One wondrous thing that books can do is to lead you to other books and authors, and I was completely seduced by this poem I had never heard of before. Brophy introduces this piece in the context of metamorphosis and Kafka's famous story.
Brophy informs the reader in his introduction that this is a book about 'how writing gets done', and also how important reading is to a writer. He continues his references to the personal, with illustrative, and unsentimental, stories of his children and family life, particularly the birth of his first child, his daughter Sophie, in the first chapter. The openness and vulnerability of his writing here is appealing, and relevant to the process of writing in surprising ways. He writes that a 'parent is like an author whose characters have got riotously out of control - but in ways that can make the author see, briefly, what he or she is' (22).
Continued at the now-archived dotlit site.
Sunday, 5 September 2010
Review of The Making of Mr Gray's Anatomy by Ruth Richardson
Art and the body
Mr Gray’s Anatomy inevitably reminded me of working as a student in the anatomy lab at university and the smell of formalin used to preserve the bodies. It permeated your white lab coat and remained in your nostrils. The bodies themselves were greyish and shrunken, and kept under plastic sheets on steel tables. Some students took to dissection with aplomb, entering competitions with skilful displays of the brachial plexus or the facial nerve. One or two found the sight of the female breast on a cadaver so disturbing they had to leave the room. Others, like me, just tried to keep up.
Read the rest at M/C Reviews 'words'.
Mr Gray’s Anatomy inevitably reminded me of working as a student in the anatomy lab at university and the smell of formalin used to preserve the bodies. It permeated your white lab coat and remained in your nostrils. The bodies themselves were greyish and shrunken, and kept under plastic sheets on steel tables. Some students took to dissection with aplomb, entering competitions with skilful displays of the brachial plexus or the facial nerve. One or two found the sight of the female breast on a cadaver so disturbing they had to leave the room. Others, like me, just tried to keep up.
Read the rest at M/C Reviews 'words'.
Friday, 20 August 2010
Review of Baba Yaga Laid An Egg
Ugrešić was born in what used to be Yugoslavia. When the war began in 1991 she fiercely opposed it and was severely criticised as a result. As her startlingly designed website states:
She started to write critically about nationalism (both Croatian and Serbian), the stupidity and criminality of war, and soon became a target of the nationalistically charged media, officials, politicians, fellow writers and anonymous citizens. She was proclaimed a “traitor”, a “public enemy” and a “witch”, ostracized and exposed to harsh and persistent media harassment. She left Croatia in 1993.
Her writings include several novels, short stories, children’s books, essays and critical work, and she was a literary scholar with a particular interest in the Russian avant-garde. Now she lives in Amsterdam, and lectures occasionally overseas.
Review continues at M/C Reviews 'words'.
Wednesday, 21 July 2010
Review of The Yipping Tiger by Perminder Sachdev
Continued at Metapsychology Online Reviews.
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