Review of Myths About Suicide by Thomas Joiner

Thomas Joiner's Myths about Suicide is a powerful and important book that aims to attack the stigma around suicide, to 'expose myths' and 'shatter misunderstandings' (10). In it he continues on from his first (Why People Die By Suicide, 2005) but writes with clearer expression and less unnecessary repetition, making for a stronger book and one that better succeeds in its aims.

He divides his book into three main sections after an introduction: 'The Suicidal Mind', 'Suicidal Behavior', and 'Causes, Consequences, and Subpopulations'. There are eighteen myths he deals with throughout these chapters, with discussions of other misunderstood issues included (for example, 'slow suicide', genetics, hospitalization).

As in his first book, he emphasizes the factors that must be present for a person to consider suicide. These are perceived burdensomeness (so the person believes they would benefit others more by being dead than alive), sense of low belongingness (alienation from their community), and loss of the fear of pain and death (such as by habituation to pain, hard circumstances and dangerous situations). He applies these factors to examples of cases, making them clear and understandable.

Review continued at Metapsychology Online Reviews.

Review of Becoming A Doctor edited by Lee Gutkind

There is a theme through these nineteen pieces by doctors and one psychologist, that of remembering the humanity of both doctors and patients. Medical students are often taught that they should keep emotionally distant from their patients, that it will help with their treatment of them, and also with their own self-preservation. But to carry this to the extreme, or to carry it to every single patient regardless of the circumstances, is that appropriate? Or even possible? What sort of person could not get involved, to some degree, with a dying patient they have cared for?

Review continued at Metapsychology Online Reviews.

The Art and the imagination:Explorations in Creative Writing by Kevin Brophy

Kevin Brophy has written two books about creative writing, Creativity: Psychoanalysis, Surrealism and Creative Writing (1998) and this one, Explorations in Creative Writing. Both of these explore areas of creativity and writing that make them decidedly different from most other books on the subject: they are not how-to books, not strictly 'inspirational', nor are they strictly 'scholarly' approaches to literature. They are truly explorations of the vastness and intimacy of creative writing, with particular emphasis on the imagination and surrealism.


Explorations is divided into three main sections: Reading Writing, Making Writing and Talking Writing. Brophy explores Kafka's 'Metamorphosis', the prose poem, gender issues, sentence-thinking, the novelisation of the poem. He gives us samples of his own short stories and poems, as well as those of others, including an excerpt of the strange but moving 'Sheep-Child' of James Dickey.


In my ignorance of this poet and this poem in particular, I sought out the complete verse, and listened to a recording of Dickey reading it. One wondrous thing that books can do is to lead you to other books and authors, and I was completely seduced by this poem I had never heard of before. Brophy introduces this piece in the context of metamorphosis and Kafka's famous story.


Brophy informs the reader in his introduction that this is a book about 'how writing gets done', and also how important reading is to a writer. He continues his references to the personal, with illustrative, and unsentimental, stories of his children and family life, particularly the birth of his first child, his daughter Sophie, in the first chapter. The openness and vulnerability of his writing here is appealing, and relevant to the process of writing in surprising ways. He writes that a 'parent is like an author whose characters have got riotously out of control - but in ways that can make the author see, briefly, what he or she is' (22).

Continued at the now-archived dotlit site.

Review of The Making of Mr Gray's Anatomy by Ruth Richardson

Art and the body

Mr Gray’s Anatomy inevitably reminded me of working as a student in the anatomy lab at university and the smell of formalin used to preserve the bodies. It permeated your white lab coat and remained in your nostrils. The bodies themselves were greyish and shrunken, and kept under plastic sheets on steel tables. Some students took to dissection with aplomb, entering competitions with skilful displays of the brachial plexus or the facial nerve. One or two found the sight of the female breast on a cadaver so disturbing they had to leave the room. Others, like me, just tried to keep up.

Read the rest at M/C Reviews 'words'.

Review of Baba Yaga Laid An Egg

When you read Dubravka Ugrešić, be prepared to go where you’ve not been before.

Ugrešić was born in what used to be Yugoslavia. When the war began in 1991 she fiercely opposed it and was severely criticised as a result. As her startlingly designed website states:

She started to write critically about nationalism (both Croatian and Serbian), the stupidity and criminality of war, and soon became a target of the nationalistically charged media, officials, politicians, fellow writers and anonymous citizens. She was proclaimed a “traitor”, a “public enemy” and a “witch”, ostracized and exposed to harsh and persistent media harassment. She left Croatia in 1993.

Her writings include several novels, short stories, children’s books, essays and critical work, and she was a literary scholar with a particular interest in the Russian avant-garde. Now she lives in Amsterdam, and lectures occasionally overseas.

Review continues at M/C Reviews 'words'.

Review of The Yipping Tiger by Perminder Sachdev

There are many popular books on neurology, neuroscience and psychiatry, including those by the well known neurologist Oliver Sacks, and the wildly successful title The Brain That Changes Itself by Norman Doidge. When he visited Australia recently, Doidge's sessions at writers' festivals were filled to capacity, and it was not difficult to see why: his own speaking style was professional but warm, he could answer any question, and he was offering the hope of our brains being more 'plastic' than we thought, and able to heal from stroke and injury.

Continued at Metapsychology Online Reviews.

Review of Rape: Sex, Violence, History by Joanna Bourke

I read this impressive and intensively researched book from the point of view of an educated general reader, a woman and a feminist, but not an expert on rape or sex crimes in general. It is highly controlled, well argued and scholarly, but with little jargon, and she does occasionally interject her own feelings. In fact, she states in the preface that her reason for writing the book was fear, followed by anger at a statistic: 'I read a Home Office report that revealed that only 5 per cent of rapes reported to the police in the UK ever end in a conviction' (vii). This anger does not drive the text, but it indicates the passion that ignited the task, and the book is better because of it. And each section has an epigraph, verses from Cecil Day Lewis' poem 'Sex-Crime', which balances the facts with poetic representation of the injustice of rape and its aftermath.

Continued at Metapsychology Online Reviews.